Hatfield and the North – Hatfield and the North (1974)

Artist Credit
Jeremy Baines Main Personnel
Jeremy Baines Pixiephone
Barbara Gaskin Main Personnel, Vocals
Hatfield and the North Engineer, Primary Artist, Producer
Henry Cow Flute, Main Personnel, Saxophone
Geoff Leigh Flute, Main Personnel, Saxophone
Laurie Lewis Photography
Laurie K. Lewis Cover Design, Photography
Phil Miller Composer, Group Member, Guitar
Tom Newman Engineer, Producer
Amanda Parson Main Personnel, Vocals
Amanda Parsons Vocals
Pip Pyle Composer, Drums, Group Member
Ann Rosenthal Main Personnel, Vocals
Ann Rosenthal Vocals
Richard Sinclair Bass, Composer, Group Member, Vocals
Dave Stewart Composer, Organ, Piano
Robert Wyatt Main Personnel, Vocals

One of the Canterbury scene’s most revered bands, Hatfield and the North made up for the brevity of their career with some fascinating music. Always adventurous, the quartet had the keen sense to realize that only the most hardened jazz fans respond to numerous key changes and exceedingly complex time signatures, and thus enlivened their live set with the odd gnome smashing, suggestive lyrics, and jokey song titles. It worked a charm, with the band quickly amassing a large, loyal following at home in Britain and across the continent. On their eponymous debut, Hatfield stunningly succeeded in translating both their sense of fun and their musical brilliance onto disc. After a bit of light humor, the band slide into “Going Up to People and Tinkling,” which glides gloriously across the keys and rhythm shifts. Both “Calyx” and “Aigrette” experiment with vocals as an instrument, while the exuberant “Rifferama” is a master class on the use of riffs. However, it’s the expansive “Son of ‘There’s No Place like Homerton'” that forms the album’s centerpiece, a propulsive, keyboard driven piece that still awaits a modern dance troop’s attention.

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