Artist Credit
José Chepitó Areas Composer, Congas, Member of Attributed Artist, Percussion, Timbales
Shawn R. Britton Mastering
Dave Brown Engineer, Guitar (Bass)
Dave Brown Audio Engineer, Guitar (Bass), Member of Attributed Artist
David Brown Bass, Engineer, Guitar (Bass)
Mike Carabello Arranger, Composer, Congas, Percussion
Fred Catero Audio Production, Producer
Joan Chase Insert Photography
Tim de Paravicini Consultant, Technical Support
John Fiore Audio Engineer, Engineer
Alberto Gianquinto Composer, Piano
Peter Green Composer
Mati Klarwein Illustrations
Rob LoVerde Mastering
Jim Marshall Photography
Edmund Meitner Consultant, Technical Support
Tito Puente Composer
Rico Reyes Arranger, Percussion, Vocals
Gregg Rolie Arranger, Composer, Keyboards, Member of Attributed Artist, Vocals
Annie Rudder Continuity
Santana Audio Production, Guitar, Member of Attributed Artist, Primary Artist, Vocals
Carlos Santana Arranger, Composer, Guitar, Producer, Vocals
Marianne Schmidt Cover Photo
Michael Shrieve Drums, Member of Attributed Artist
Gabor Szabo Composer
Bob Venosa Artwork, Graphic Design

The San Francisco Bay Area rock scene of the late ’60s was one that encouraged radical experimentation and discouraged the type of mindless conformity that’s often plagued corporate rock. When one considers just how different Santana, Jefferson Airplane, Moby Grape, and the Grateful Dead sounded, it becomes obvious just how much it was encouraged. In the mid-’90s, an album as eclectic as Abraxas would be considered a marketing exec’s worst nightmare. But at the dawn of the 1970s, this unorthodox mix of rock, jazz, salsa, and blues proved quite successful. Whether adding rock elements to salsa king Tito Puente’s “Oye Como Va,” embracing instrumental jazz-rock on “Incident at Neshabur” and “Samba Pa Ti,” or tackling moody blues-rock on Fleetwood Mac’s “Black Magic Woman,” the band keeps things unpredictable yet cohesive. Many of the Santana albums that came out in the ’70s are worth acquiring, but for novices, Abraxas is an excellent place to start.

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